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Bitwa pod Ścianą

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30 tys. Tatarów
Bitwa pod Ścianą (znana także jako bitwa pod Braiłowem lub bitwa pod Brahiłowem) miała miejsce 19 grudnia 1666 roku podczas wojny polsko-kozacko-tatarskiej 1666-1671.
Hetman kozacki Piotr Doroszenko po koncentracji sił dysponował już armią liczącą około 20 tysięcy Kozaków, oprócz tego dołączyło doń około czterdzieści tysięcy Tatarów. W takiej sile uderzył na liczącą według różnych szacunków od 1 do 6 tysięcy żołnierzy polską dywizję pułkownika Sebastiana Machowskiego, która próbowała ułożyć się na leżach zimowych nad Bohem, w okolicach Ściany i Brahiłowa.
Zagrożony okrążeniem przez wielokrotnie silniejszego przeciwnika

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, Machowski zarządził odwrót na Ładyżyn

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, pod Braiłowem został jednak dopędzony przez Tatarów. Bitwa zakończyła się całkowitą klęską wojsk koronnych i wzięciem do niewoli wielu żołnierzy The Kooples Dresses Online Store 2016-17 Style. Podczas bitwy zniszczono między innymi 4 chorągwie tatarskie (rodzaj polskiej lekkiej jazdy złożonej przeważnie z polskich Tatarów) dowodzone przez Mustafę Kosińskiego, Samuela Sulejmanowicza, Dawida Romanowskiego i Ułana Zasulskiego. Znaczna część żołnierzy dywizji wraz z jej naczelnym wodzem dostała się do niewoli.

Mocedades

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Mocedades (Spanish pronunciation: [moθeˈðaðes]) is a Spanish singing group from the Basque Country, who represented Spain in the Eurovision Song Contest in 1973 with the hit song „Eres Tú“. Since June 2014, Mocedades is the name of two bands of the same name, one with Izaskun Uranga as the leader and the other with Javier Garay. A third group, El Consorcio, is composed of former Mocedades members who left the group, and has continued a career outside the Mocedades brand.

In 1967, in the Basque city of Bilbao, three young sisters, Amaya, Izaskun and Estibaliz Uranga, formed a vocal trio named Las Hermanas Uranga (The Uranga Sisters). They sang in various locations at Bilbao. During their rehearsals, their brothers and friends joined. Eventually they decided to form a vocal group named Voces y guitarras („Voices and Guitars“) with folk and spiritual music and The Beatles as their influences. The members of Voces y guitarras were Amaya Uranga, Izaskun Uranga, Estibaliz Uranga, Roberto Uranga, Rafael Blanco, Sergio Blanco, José Ipiña, Javier Garay and Francisco „Paco“ Panera. They spent a year performing around their hometown before sending a demo cassette to producer Juan Carlos Calderón in Madrid. He took an immediate interest in the group and renamed them Mocedades, meaning „youths,“ from the Spanish word mocedad, which means „youth.“ Javier Garay could not join them because of his military service, and so Mocedades started out as an eight-member group.
In 1970, both Ipiña (for military service) and Panera (to become a professor at a local university) left Mocedades. Javier Garay who had previously belonged to Voces y Guitarras rejoined the group in 1970 after serving in the Spanish military in Africa. Estíbaliz Uranga and the Blanco brothers followed in 1971, and in 1972 Ipiña returned and Carlos Zubiaga (from Los Mitos) joined. It was with this configuration of six (three Uranga siblings, Zubiaga, Garay and Ipiña), known in Spain as „The Six Historic Ones“, that Mocedades achieved its greatest successes.
The group was now on its way to making a remarkable string of hits, most notably „Eres tú “ („You are…“), runner up in 1973 and the next year a massive hit in Europe and the United States of America. „Eres tú“ became one of the only Spanish language songs to reach the top 10 in the United States, peaking at #9 in the Billboard Hot 100 chart and also reaching the top 10 on the Adult Contemporary chart. In the United States, the song is an airplay favorite today on Adult Standards and Easy Listening radio. The B-side of the single was the English-language version of the song („Touch the Wind“), but radio stations preferred to play the original A-side version. There were also several cover versions of the tune in both English and Spanish, only one of which („Touch the Wind“ as done in English by Eydie Gorme), charted, becoming a minor Adult Contemporary hit. The song was re-released in English as „Touch The Wind“ in later years. It was subsequently released in German (Das bist Du, or „You Are That“), French (C’est pour toi, or „It Is For You“), Italian (Viva noi, or „Long Live Us“), and Basque (Zu Zara, or „You are“). The song was the only U.S. Billboard hit for Mocedades; a follow-up, „Dime Señor“ („Tell Me, Lord“, with „I Ask The Lord“ on its B-side), flopped.
The 1973 Eurovision Song Contest was marked by a scandal, with charges that „Eres tú“ was plagiarized and merely a rewrite of the Yugoslav entry from the 1966 contest („Brez Besed“, sung by Berta Ambrož). Nevertheless, „Eres tú“ was not disqualified. After winning second place in the contest, and as of 2013 the highest score for Spain with 125 points, the song went on to become a huge international hit. (Per Mocedades‘ homepage [below] Juan Carlos copyrighted the lyrics in 1972)
However, many more hits followed in Latin America and Spain, most notably „Tómame o déjame“ („Take Me or Leave Me“), „El vendedor“ („The Peddler“), „La otra España“ („The Other Spain“) and „Me siento seguro“ („I Feel Secure“). In 1980 Mocedades signed up to CBS Records, now Sony, and recorded more songs for the Spanish-speaking market, including „¡Ay amor!“ („Oh Love“) and „Amor de hombre“ („Love of Man“), which was the first Mocedades track to enter English-speaking charts since the smash hit „Eres tú“.
In 1984, the lead singer, Amaya Uranga, left the group to pursue a solo career, and was replaced by Ana Bejerano, with whom Mocedades recorded three more albums for CBS. For the third album, also José Ipiña and Carlos Zubiaga had left the group, and had been replaced by Iñaki Uranga, one of the youngest brothers of the family. The comparisons between Amaya and Ana were lethal for Mocedades‘ mainstream popularity, and after this last album at Sony, the group was almost disbanded when Ana, Iñaki and Roberto left it, leaving Izaskun and Javier as the only historic members left. They reformed the group adding Ines Rangil, José García and Iñigo Zubizarreta to the group, establishing Izaskun as the female leader of the team and recovering the style of the first years, without a particular soloist at all. This Mocedades made in 1995 another album entitled „Suave luz“ („Soft light“) before the new members left it again in 1996. They were quickly replaced by Idoia Arteaga, Jose Antonio Las Heras, Arsenio Gutierrez and Fernando Gonzalez, and this new team worked again with Juan Carlos Calderon to make an album for Walt Disney Recors, where they performed their own versions of Disney songs in Spanish. They started appearing in television again, but suddenly, in 1999, Izaskun had a car accident which forced her to stay in bed for two years, and in the meantime, the group ceased its activity. Due to the lack of work, Idoia, Arsenio and Fernando left Mocedades, while José Antonio and Javier patiently waited for Izaskun’s full recovery.
In 2001, Mocedades came back, recruited Luis Hornedo and Iratxe Martinez, and started performing live concerts in Spain and Latin America with a some success, while they promoted themselves in the Internet. They recorded several demo songs from the Beatles

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, but they never were released. 2005 proved to be an annus horribilis for Mocedades, since three members from different phases of the group died in a matter of months, Rafael Blanco, Roberto Uranga and José Antonio Las Heras, the last one still being an active member of the group. He was replaced by a returning Fernando González. Iratxe also left the group and the music business, and she was replaced by Rosa Rodríguez. Mocedades, with Izaskun Uranga, Javier Garay, Luis Hornedo, Rosa Rodríguez and Fernando Gonzalez recorded a new album, „Mocedades canta a Juan Luis Guerra“, with songs from the Dominican singer Juan Luis Guerra. This album was only released in Latin America as is the only Mocedades album which remains unreleased in Spain. In 2010, Fernando momentarily left the group and was replaced by Edorta Aiartzagüena for their successful tour through the USA. After their return to Spain, in 2011, Fernando returned. On June 2012, Javier Garay announced at the group’s web page the release of a new album. The first two songs, called „Fue mentira“ and „El diluvio universal“ are available in iTunes. However work on the album was haulted since the sudden departure of Rosa Rodríguez and Fernando Gonzalez from the group at the end of 2012. Early in 2013 they were replaced by Begoña Costa and Aitor Melgosa who participated in the group’s 45th anniversary tour of Mexico. In June 2014, just after a successful tour of Mexico, Izaskun Uranga , the only member of the group who had never left it since its foundation as Las Hermanas Uranga, decided to leave the group and, since she also had the rights to use the name, she formed her own group also named Mocedades, with former members Rosa Rodríguez, Fernando Gonzalez, and Arsenio Gutierrez and new member José María Santa María. In August 2014, after just two months with the new formation, Arsenio Gutierrez left and was replaced by José María Cortés. The remaining line-up of Mocedades continues with Javier Garay, Luis Hornedo, Begoña Costa, Aitor Melgosa and new member Icíar Ibarrondo. They began recording a new album in July 2014.
The first date listed in brackets is the year in which the member joined Mocedades – the second date is the year in which they left.
More than twenty-five people have been part of Mocedades since its inception.
A well known cover version of „Eres Tú“ was recorded by Perry Como on April 29, 1974.
A guitar instrumental version of „Eres Tú“ was used in a Bank of New Zealand TV advertising campaign in the 1990s.
In the movie Tommy Boy, there’s a scene in which Chris Farley and David Spade sing the original Spanish version of „Eres Tú“.
Release dates in Spain are shown except the 2007 album which was only released in America.
Related acts:

Pemfling

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Pemfling – miejscowość i gmina w Niemczech, w kraju związkowym Bawaria, w rejencji Górny Palatynat, w regionie Ratyzbona, w powiecie Cham. Leży w Lesie Bawarskim, około 8 km na północny zachód od Cham, na terenie Parku Natury Górny Las Bawarski.
W skład gminy wchodzą następujące dzielnice: Engelsdorf, Grafenkirchen, Kager

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, Pemfling, Pitzling, Rhanwalting.
(na 1999) W gminie znajduje się 25 miejsc przedszkolnych (52 dzieci) oraz szkoła podstawowa (8 nauczycieli, 140 uczniów)

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Lorraine Algol

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The Lorraine 9N Algol was a French 9-cylinder radial aeroengine built and used in the 1930s. It was rated at up to 370 kW (500 hp), but more usually in the 220–300 kW (300–400 hp) range.

The Algol was a conventionally laid out radial engine

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, with nine cylinders in a single row sunglasses outlet. The crankcase was a barrel-shaped aluminium alloy casting, with an internal integral diaphragm which held the front crankshaft bearing. Forward of the diaphragm there was an integrally cast cam-gear case for the double track cam-ring. The reduction gear was housed under a domed casing attached to the front of the crankcase.
Flange-mounted steel barrels were bolted to the crankcase and enclosed with cast aluminium alloy, screwed-on, cylinder head with integral cooling fins. The pistons were also made of aluminium alloy and had floating gudgeon pins. The nine pistons drove the single throw crankshaft via one channel-section master rod and eight circular section auxiliary rods. The master rod had an integral, split type big-end. The crankshaft was machined from a single forging, with bolt-on balance weights.
The Algol had a single pair of overhead inlet and exhaust valves per cylinder

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. The cam-ring drove roller tappets, mounted in the cam-case, which in turn operated rocker arms, fitted with ball bearings, via pushrods. The cam-ring was concentric with the crankshaft and driven via epicyclic gears.
Most Algols were conventionally aspirated via a single carburetter but at least one 1938 variant used a form of fuel injection, where fuel was blown into the induction system rather than the cylinder head.
Data from Jane’s All the World’s Aircraft 1938

Stevenson Archer (1827–1898)

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Stevenson Archer (February 28, 1827 – August 2, 1898) was a U.S

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Archer was born at ‚Medical Hall,‘ near Churchville, Maryland, and attended Bel Air Academy, later graduating from Princeton College in 1848. He studied law, and was admitted to the bar in 1850

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, commencing practice the same year. In 1854, he served as a member of the Maryland House of Delegates, and was elected as a Democrat to the Fortieth and to the three succeeding Congresses, serving from March 4, 1867 until March 3, 1875. He was an unsuccessful candidate for renomination in 1874, and continued the practice of law in Bel Air until his death. He is interred in the Presbyterian Cemetery of Churchville, Maryland.
Archer’s father and grandfather, Stevenson Archer and John Archer respectively, were both Congressmen from Maryland as well. His sister, Pamelia H. Archer, was the mother of George Earle Chamberlain, the 11th Governor of Oregon and a two term United States Senator.

I’ll Try

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„I’ll Try“ is a song written and recorded by American country music artist Alan Jackson. It was released in January 1996 as the second single from his 1995 compilation album The Greatest Hits Collection. Like „Tall, Tall Trees“ (the other newly recorded track on that compilation), it was a number-one hit on the U.S. Billboard Hot Country Singles & Tracks. It also reached number 5 on the Canadian RPM Country Tracks chart.

Jackson told Billboard magazine, „Everybody kept telling me, ‚You need to come out with a positive love song.‘ I’ve had a lot of sad ballads, but I have a hard time writing those [positive love songs] because there’s a tendency to get real sappy with them so they’re not real. That’s the way most of them come off to me

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. I wanted to write one that was realistic, what I call a realistic approach to a positive love song.“
The song is a mid-tempo love ballad with the male narrator pledging his faithfulness to his significant other regardless of the relationship complications that may occasionally arise and despite the narrator’s imperfect well-being. The line „Both know damn well it’s not easy together,“ from the first verse, was changed to „We both know too well…“ in the radio edit.
Deborah Evans Price of Billboard magazine reviewed the song favorably, saying „How refreshing—an honest love song. Instead of promising the moon and stars, Jackson has penned a song that simply says, „I’m not perfect

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, just another man/But I will give you all that I am/And I’ll try to love only you/And I’ll try my best to be true/Oh darlin‘ I’ll try.“ What more could a woman want? Honesty is the best policy, and this realistic look at love is destined to be a hit with country music lovers everywhere.“
„I’ll Try“ debuted at number 67 on the U.S. Billboard Hot Country Singles & Tracks for the week of December 30, 1995.

Mel Davis (musician)

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Mel Davis was a multi-talented musician and arranger, best known for his trumpet playing. In addition to trumpet, he played piano, violin, drums, tuba, bass, accordion and ocarina. He was also known as a vocalist. He was born in Philadelphia in 1931 and died in Florida on Dec. 28th, 2004.
Davis began his musical apprenticeship under Seymour Rosenfeld, who was a long-time trumpet player with the Philadelphia Orchestra Women Sandro. He played in clubs from the age of twelve but completed high school before taking a job playing with the St. Louis Symphonette.
While continuing to play club gigs, Davis furthered his musical knowledge by studying at Curtis Institute and Temple University.
He recorded many albums, including „Trumpet with a Soul“, released on the Epic music label in 1956. It featured jazz legends Milt Hinton on bass and Osie Johnson on drums.
Later he formed a band called „The Lease Breakers“ with Buddy Morrow, Harvey Phillips, Tony Mottola and Sol Gubin.
Then in the mid-1950s, he left Philadelphia for New York where he joined the Benny Goodman band as lead trumpet player, travelling with the band on their tour of the Far East in 1956.
Davis‘ modesty and reliability saw him taking up unsung positions as a session musician. He was the house trumpeter with Command Records and worked a stint as one of NBC’s staff musicians, as well as being one of the original and long time Sesame Street band-members, where he stayed for seventeen years. Davis also appeared on the „Tonight Show“ with Doc Severinsen, as well as the Perry Como Show.
He appeared on many well-known albums including Billie Holiday’s „Lady in Satin“ (1958), Neal Hefti’s „Pardon my Doo-Wah“ (1958), George Benson’s „The other side of Abbey Road“ (1969) and Lynn Roberts‘ tribute to Harry James.
Mel Davis also provided scores for at least two independent films, both directed by Jon Moritsugu, Fame Whore (1997) and Scum Rock (2002).
He became a club owner himself and retired to Florida where he died in 2004, aged 73.
Musicians‘ Union website ‚802afm‘ provided a bio at the time of his death, from which much of this article is drawn:
Album credits: http://vinyl4giants.blogspot.com/2009/01/george-benson-other-side-of-abbey-road.html http://www.jazzwax.com/2009/07/index

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Film Credits: http://www.imdb.com/name/nm2658026/

Faith of My Fathers

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Faith of My Fathers is a 1999 bestselling non-fiction book by United States Senator John McCain with Mark Salter. Published by Random House, it is part autobiography, part family memoir. It traces the story of McCain’s life growing up, during his time in the United States Naval Academy, and his military service as a naval aviator before and during the Vietnam War Free People Online Sale. His story is interwoven with those of his father John S. „Jack“ McCain, Jr. and his grandfather John S. „Slew“ McCain, Sr., both four-star admirals in the Navy.

McCain had rarely discussed his military experiences until the 1995 publication of Robert Timberg’s The Nightingale’s Song. After that book found critical praise, Timberg’s literary agent tried to persuade McCain to write his own memoir on the subject; he was reluctant until she suggested he fold in the stories of his father and grandfather as well.
Publisher Random House paid McCain $500,000 for a two-book advance. Half went to McCain and half to Salter, McCain’s longtime legislative aide. The book’s themes were heavily influenced by McCain’s literary tastes, such as Ernest Hemingway’s For Whom the Bell Tolls, and its tone by Salter’s gloomy view of human nature.
The book was released in late August 1999; during September, McCain went on a 15-city book tour, that dovetailed with campaign stops of his 2000 presidential campaign that would be formally announced later in the month.
The book was a commercial success, spending 24 weeks on the New York Times Best Seller list between September 1999 and March 2000, with a peak position of number two, and selling over 500,000 copies. Reviews of the book were almost all positive. McCain’s royalties from the book were donated to charity.
The success of the book tour and the book’s high number of sales led to it becoming a central part of the themes of McCain’s 2000 presidential campaign, and represented a fundamental change in McCain using his Vietnam and prisoner experiences as a framing device for the narrative of his life.
The memoir was made into the 2005 television film Faith of My Fathers. McCain also wrote a sequel memoir, 2002’s Worth the Fighting For, that covered his life after returning from Vietnam and as a politician.
Slew McCain commanded the aircraft carriers of Task Force 38 in the Pacific War in late 1944 and 1945, ultimately having 15 carriers and 8 battleships, plus their escorts, under his control for operations against Japan in July 1945. Jack McCain was a submariner in the U.S. Navy during the Pacific War, and later rose to four star rank and became Commander-in-Chief, Pacific Command (CINCPAC), commander of all U.S 2016 discount maje clothing. forces in the Vietnam theater from 1968 to 1972. John McCain writes forthrightly of his rebellious and misspent youth, and his conflicts about following in his forefathers‘ steps.
The centerpiece of Faith of My Fathers is a lengthy account of McCain’s five and half years as a prisoner of war in North Vietnamese camps, of the torturing and suffering he and his fellow prisoners endured, and the various kinds of faith that enabled him to carry on through the ordeal. It describes the injuries he sustained during his shoot-down and imprisonment, and the origin of why he cannot lift his arms above his shoulders. The book concludes with the release from captivity of him and the other POWs in 1973.
The following passage explains the book’s title:
Glory belongs to the act of being constant to something greater than yourself, to a cause, to your principles. No misfortune, no injury, no humiliation can destroy it. This is the faith that my commanders affirmed, that my brothers-in-arms encouraged my allegiance to… It was my father and grandfather’s faith. A filthy, broken man, all I had left of my dignity was the faith of my fathers adidas soccer jerseys 2016 online. It was enough

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Rugby Football League Championship

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The Rugby Football League Championship was the major professional competition organised by the Rugby Football League in Great Britain. In 1996 it was superseded by the Super League and the Rugby League National Leagues. Winning Super League is still regarded as winning the championship, hence for completeness this article includes championships from the Super League era.

The first season of rugby league (1895–96) saw all the breakaway clubs play in a single league competition. The addition of new teams and the problems of travelling led to the league being split in two for the following season; into the Yorkshire League and the Lancashire League. This arrangement lasted until the 1901–02 season, when the top clubs from each league resigned and formed a single new competition. The following season the remaining clubs in the Yorkshire and Lancashire Leagues were re-organised to form a second division

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In 1905–06 the two divisions were re-combined into a single competition. Clubs played all the teams in their own county on a home-and-away basis, results counting towards the re-formed Yorkshire and Lancashire Leagues. They also organised inter-county fixtures on an individual basis; all results were collated into a single table for the Championship. In order to even up the competition a top-four play-off series was used to determine the Championship.
Apart from the interventions of the two world wars, this system was retained until the 1962–63 season, when the league briefly returned to a two divisional system. This lasted only two years, and in the 1964–65 season they returned to one large division subdivided into county leagues. The play-offs were expanded to the top 16 teams and the Harry Sunderland Trophy was introduced as the man-of-the-match award for the decider.
In the 1973–74 season they once again went back to two divisions. The play-off and the Yorkshire and Lancashire League were abandoned, and a new play-off type competition, the Premiership, was introduced however the team finishing top of the Championship were crowned champions. During this period in the late 80’s and early 90s Wigan dominated both the Championship and Challenge Cup MAX & Co. on Sale.
In 1996 the championship was replaced by the Super League

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. The remaining clubs later went on to form the Rugby League Championships.
Note. In the event of a tie, the team that won x amount of titles first is given preference.
Teams in bold currently compete in the Super League. Titles prior to 1947 include the number of years it was won prior to World War II, and titles won prior to 1919 chinese cheongsam, includes the number of years it was won prior to World War I.

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