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Alphonse Ier des Asturies

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Alphonse Ier des Asturies dit Alphonse le Catholique (né en 693 ou en 695 – mort à Cangas de Onis en 757), est roi des Asturies de 739 à 757.

Alphonse Ier des Asturies est le fils de Pierre, duc de Cantabrie et descendant, selon des chroniques postérieures pas totalement fiables, du roi wisigoth Récarède (586-601), grand propriétaire foncier en Cantabrie et premier monarque « espagnol » catholique. Dans un document daté de 760, Alphonse est présenté par l’évêque Odoarius comme étant de souche royale : de stirpe regis Recaredi et Ermenegildi.

Mais selon certains historiens, « la généalogie attribuée à Alphonse procède d’une aspiration de caractère politique, sans doute très ancienne, à rattacher les nouveaux rois (asturiens) à la prestigieuse monarchie tolédane ». Alphonse lui-même, pour renforcer le prestige de sa dynastie, a peut-être ressenti la nécessité d’affirmer dans ses diplômes cette ascendance royale peut-être imaginaire.

Selon les deux versions (Rotense et ad Sebastianum) de la Chronique d’Alphonse III, Alphonse vient s’installer dans sa jeunesse à la cour royale de Cangas de Onis, durant le règne de Pélage le Conquérant (718-737). Il devient plus tard comme son père, duc de Cantabrie, et épouse la fille de Pélage, Ermesinde.

Bien qu’ils exercent le pouvoir dans les Asturies, ni Pélage (718-737) ni son fils et successeur Favila (737-739) n’ont porté le titre de roi. Succédant à Favila, Alphonse se proclame roi des Asturies.

Avec lui commence vraiment le processus de reconquête de la péninsule Ibérique, amorcé par Pélage le Conquérant ; il profite des dissensions au sein du camp musulman consécutives à la bataille de Poitiers de 732. Il annexe la Galice en 740, le León en 754

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, et parvient même jusqu’à La Rioja, mais il ne réussit pas à en organiser le repeuplement.

Durant ses campagnes de reconquête, les cités et villages se vident parce que leurs habitants se réfugient dans les terres plus sûres du nord. Ces faits entraînent deux conséquences :

« Après la mort de Favila, Alphonse lui succéda sur le trône, personnalité de grande valeur, fils du duc Pierre, descendant en droite ligne des rois Léovigild et Recarède ; à l’époque d’Égica et de Wittiza, il avait été chef de l’armée. Par la grâce de Dieu, il prit le sceptre du royaume. Il réussit maintes fois à contenir l’audace des Arabes. Jusqu’à quel point il fut un homme doté de la grâce, de valeur et d’autorité, les faits suivants vont le faire savoir : conjointement avec son frère Froïla, il fit de nombreuses guerres contre les Sarrasins, s’empara de nombreuses cités auparavant opprimées par eux, à savoir, Lugo, Tuy, Porto, Braga la métropolitaine, Viseu, Chaves, Agata, Ledesma, Salamanque, Zamora, Avila, Ségovie, Astorga, León, Saldania, Mave, Amaya, Simancas, Oca, Velegia Alabense, Miranda, Revenga, Carbonera, Abeica, Briones, Cenicero, Alesanco, Osma best steak marinade tenderizer, Clunia, Arganza, Sepulveda et tous les forts, leurs villages et bourgades ; faisant mettre à mort tous les Arabes occupant les cités indiquées ci-dessus, il emmena avec lui vers la patrie les chrétiens… Le susnommé Alphonse fut très magnanime, sans offenser Dieu ni l’Église best insulated water bottle stainless steel, il mena une vie exemplaire. Il fit construire et restaura diverses basiliques. Il régna dix-huit ans et termina heureusement sa vie en paix. »

— Chronique d’Alphonse III.

De son mariage avec Ermesinde, sont nés :

Il a également un fils illégitime Mauregat, lui aussi roi des Asturies.

Étienne-Nicolas Méhul

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Étienne-Nicolas Méhul (født 22. juni 1763 i Givet, død 18. oktober 1817 i Paris) var en fransk komponist.

Méhul begyndte sin musikergerning allerede i 10-års-alderen som organist i sin fødeby. 1778 kom han til Paris og fik ved gode anbefalinger en sikret stilling som lærer. Bekendtskabet med Gluck og opførelsen af dennes Iphigénie en Tauride greb Méhul i den grad, at han besluttede at blive operakomponist. Efter mange skuffelser fik han da operaen Euphrosine et Conradin frem (1790); den spilledes på Opéra Comique og gjorde opsigt ved sin dramatiske kraft. 1792 fulgte Stratonice og derefter en række operaer, af hvilke Le jeune Henri (1797) er mest bekendt, dels fordi den ved opførelsen blev udpebet, da terroristerne ikke vilde tåle et scenisk værk, hvori en konge fremstilledes og tilmed sympatetisk how to make tender beef steak, dels på grund af ouverturen, en art jagtstykke, der har holdt sig til vore dage som vidnesbyrd om Méhuls evner som orkesterkomponist.

Da konservatoriet grundlagdes (1794), blev Méhul en af dets inspektører, og på same tid optogs han i Akademiet. Revolutionstiden var ikke hans frembringelser og talent gunstig. Da den var til ende, levede han op på ny som komponist, og i stedet for pligtarbejder som republikanske hymner og kantater eller mindre ting som patriotiske sange, hvoriblandt den berømte Chant du départ, begyndte han atter at skrive for scenen og fik en række operaer opførte, deriblandt L’irato (1801), Une folie — motivet som i Du Puys „Ungdom og Galskab“ — (1802), Le trésor supposé („Skatten“) (samme år), Uthal (1806) og frem for alle Joseph, Méhuls berømteste og betydeligste værk (1807). Herefter komponerede Méhul kun lidet; i den bevægelse i fransk musik, der betegnes med navnet Spontini, fulgte Méhul ikke med; mismodig over at sættes i skygge trak han sig i flere år tilbage til syden for at søge lindring for en brystsygdom. Ved sin død havde han dog ophold i Paris.

Méhuls menneskelige egenskaber som ven, rådgiver og lærer sættes meget højt; som komponist blev det navnlig hans opgave at højne den franske komiske opera (for hvilken bland andet også Joseph skreves), der i længere tid var dyrket ret dilettantisk. Hans forbillede var Gluck, og han stræbte som denne at virke dramatisk og at skrive i en enkel og ædel stil. Som sin mester vilde han påvirke tilhørerens fantasi ved en farverig instrumentation og vovede sig her helt ud i det eksperimenterende

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. Méhul når ikke sit forbillede i patos og fantasifuldhed, men hans musik er klar, sikkert formet, nobel og blid, undertiden lidt borgerlig følsom.

Theodor Sonnemann

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Johannes Carl Adolf Theodor Sonnemann (* 2. September 1900 in Hildesheim; † 6. September 1987 in Bonn) war Staatssekretär im Bundeslandwirtschaftsministerium und Präsident des Deutschen Raiffeisenverbandes.

Theodor Sonnemann wurde 1900 in Hildesheim als Sohn des Ingenieurs Hans Sonnemann und seiner Ehefrau Julie geboren. 1918 trat Sonnemann in die Marine als Seekadett ein. Im Dezember 1918 beteiligte er sich in einer Marinesturmkompanie an einem Kampf im Baltikum gegen die Bolschewiki. Ab Herbst 1919 begann er das Studium der Nationalökonomie, der Staatswissenschaften und der Geschichte an der Georg-August-Universität Göttingen und ab April 1921 an der Universität Rostock

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. Eintritt in die Burschenschaft Holzminda. 1920 wirkte er in leitender Stellung an der Niederwerfung des kommunistischen Aufstandes im Ruhrgebiet mit. 1922 promovierte er an der Universität Rostock mit dem Thema Heinrich Oppermann und der hannoversche Liberalismus zum Dr. phil. Zeitgleich trat er in die Burschenschaft Redaria-Rostock mit Zweitband ein. Innerhalb der Deutschen Burschenschaft war er ab 1920 mehr als 15 Jahre als Mitglied des Hochschulpolitischen Ausschusses tätig, später dann als Mitglied im Hauptausschuss und im Ehrenrat.

Anschließend folgten berufliche Tätigkeiten bei der Industrie- und Handelskammer Hannover, der landwirtschaftlichen Berufsvertretung und als Syndikus des Reichslandbundes in Burgdorf und Celle. 1936 wurde er wegen Differenzen mit den nationalsozialistischen Machthabern von diesen fristlos entlassen electric meat tenderiser. Ab 1936 Verwendung als Wehrwirtschaftsoffizier, seit 1939 Referent im Wehrwirtschafts- und Rüstungsamt beim Oberkommando der Wehrmacht. Danach erneuter Kriegseinsatz, zuletzt als Korvettenkapitän der Kriegsmarine, als Flottillenchef der 7. Artillerieträgerflotille.

Am 13. Februar 1945 verlor Sonnemann bei dem Bombenangriff auf Dresden seine Frau und seine beiden Töchter. Ab 1945 folgten berufliche Tätigkeiten im Landratsamt Gifhorn, im Landesernährungsamt und in der Landwirtschaftskammer Hannover. Von 1947 bis 1949 betätigte sich Sonnemann als Hauptgeschäftsführer des Verbandes des Niedersächsischen Landvolkes und war von 1949 bis 1961 Staatssekretär im Bundesministerium für Ernährung, Landwirtschaft und Forsten. 1953 heiratete er Margarethe Pochadt, eine Sekretärin Konrad Adenauers. Von 1961 bis 1963 war er Vizepräsident, danach Präsident des Deutschen Raiffeisenverbandes.

Zu erwähnen wäre unter den von Sonnemann veröffentlichten Büchern und Schriften noch das Werk „Das Gold in der Kriegswirtschaft“ (1944, Verlag Junker&Dünnhaupt Berlin). Es ist eines der wenigen Bücher, das, ausgehend von der Funktion des Goldes im Währungssystem, umfassend die Rolle des Goldes in der Kriegswirtschaft verschiedener Epochen untersucht mit besonderem Schwerpunkt auf der Goldpolitik Englands im 19. Jahrhundert und zumal der der USA im 20. Jahrhundert. Sonnemann anerkennt die Bedeutung des Goldes im historischen Kontext, sieht aber dessen Stellung unter Verweis auf die Vorkriegs- und Kriegswirtschaft des „Dritten Reiches“ in der modernen Ökonomik und Kriegswirtschaft als nicht mehr gegeben an.

Old Yellow Moon

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Old Yellow Moon es un álbum de estudio de la cantante estadounidense Emmylou Harris y el compositor Rodney Crowell, publicado por la compañía discográfica Nonesuch Records en febrero de 2013. Producido por Brian Ahern

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, ex-marido de Harris y colaborador de la cantante durante décadas, Old Yellow Moon fue grabado en los Eastern Island Sounds y en Ronnie’s Place, ambos en Nashville. La primera canción, «Hanging Up My Heart», fue estrenada en YouTube en el otoño de 2012.

Old Yellow Moon supuso el primer álbum completo de Harris y Crowell como proyecto colaborativo. Ambos músicos comentaron que el álbum de dúos estaba planeado desde hacía años. Harris escribió en el libreto de la caja recopilatoria Songbird: Rare Tracks and Forgotten Gems que «estuvimos hablando durante 34 años sobre hacer un disco de dúos, y juré que íbamos a hacerlo».

La colaboración entre Harris y Crowell comenzó cuarenta años antes, en 1974, cuando Harris grabó «Bluebird Wine», un tema compuesto por Crowell, para su álbum Pieces of the Sky. «Bluebird Wine» fue regrabado para Old Yellow Moon con una letra cambiada y con Crowell como vocalista principal.

En 1975, Crowell se convirtió en parte del grupo de Harris The Hot Band, y desde entonces ha participado en la grabación de numerosos trabajos discográficos de Harris

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. Además, la cantante ha grabado más de una veintena de composiciones de Crowell a lo largo de los años, tales como «I Ain’t Living Long Like This», «Leaving Louisiana in the Broad Daylight» y «Till I Gain Control Again». Emmylou le devolvió el favor a Crowell y participó como corista en su debut, Ain’t Living Long Like This

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, publicado en 1978.

Old Yellow Moon alcanzó el primer puesto en la lista Top Country Albums de Billboard y ganó un Grammy en la categoría de mejor álbum de americana.

Phoenix Wright: Ace Attorney − Spirit of Justice

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Phoenix Wright: Ace Attorney − Spirit of Justice, known in Japan as Gyakuten Saiban 6 (Japanese: 逆転裁判6?, „Turnabout Trial 6“), is a visual novel adventure video game developed and published by Capcom for the Nintendo 3DS, and is the sixth main game in the Ace Attorney series. The game was released in Japan on June 9, 2016, and in North America and Europe as a Nintendo eShop exclusive on September 8, 2016.

Spirit of Justice continues the investigation and courtroom of its predecessors, in which players take the role of the defense attorneys Phoenix Wright, Apollo Justice, and Athena Cykes, and try to defend their clients. Like previous games in the franchises, chapters are divided into two types of gameplay; investigations, where players gather information from people and search for evidence, and trials, where they must use evidence to find contradictions in witness testimonies. Investigations utilise the 3D navigation introduced in Phoenix Wright: Ace Attorney − Dual Destinies, allowing players to navigate environments from various angles. Along with returning gameplay elements, such as Psyche-Locks and the Mood Matrix, the game introduces Divination Séances, which show the final moments of a victim before their death. By paying close attention to the senses that appear in the séances, players must find contradictions in the insights given about them.

The story of Spirit of Justice is set roughly one year after its predecessor, Dual Destinies, and once again focuses on defense attorney Phoenix Wright and his two understudies Apollo Justice and Athena Cykes. While previous games in the series have been set in Los Angeles, California (Japan in the original Japanese releases), Spirit of Justice sees Phoenix travel to the fictional kingdom of Khura’in, a deeply religious nation in the far east where the art of spirit channeling originates. Roughly half the game’s episodes detail Phoenix’s activities in Khura’in, while the other half follow Apollo and Athena, who are left to watch over the Wright Anything Agency in Phoenix’s absence. The game features the reintroduction of Maya Fey, a spirit medium and Phoenix’s longtime friend and former assistant, who has not appeared in the main series since Trials and Tribulations. Other returning characters include Trucy Wright, a magician and Phoenix’s adopted daughter, Ema Skye, a former detective who has recently become a forensic investigator, Simon Blackquill, a prosecutor and former prison inmate who is friends with Athena, Pearl Fey, Maya’s younger cousin and fellow spirit medium, Miles Edgeworth, the district chief prosecutor and Phoenix’s friend and rival, and Larry Butz, an artist and Phoenix and Edgeworth’s childhood friend. New to the series are Rayfa Padma Khura’in, the princess and royal priestess of Khura’in, and Nahyuta Sahdmadhi, an international prosecutor and devout Khurainese monk.

The story begins as Phoenix travels to the distant kingdom of Khura’in to visit Maya, who is about to conclude a two-year period of ascetic training needed to perfect her spirit-channeling abilities and become master of Kurain Village. Upon his arrival, Phoenix’s tour guide Ahlbi Ur’gaid is accused of theft and murder. During Ahlbi’s trial, Phoenix discovers that Khura’in has an intense prejudice against lawyers. Under a law known as the Defense Culpability Act enacted 23 years ago, if a criminal is found guilty, anyone who defends or aids them will be given the same punishment. With the addition of the Divination Séance, a ritual that shows a victim’s memories in the final moments before their death, all trials in Khura’in since have led to guilty verdicts, with most defense attorneys having been executed. Despite the high stakes of the Defense Culpability Act and the supposed absolute truth of the Divination Séance, performed by Rayfa, Phoenix manages to successfully defend Ahlbi and prove him innocent, earning the first Not Guilty verdict in the country since the Act’s introduction. He also learns about a rebel group known as the Defiant Dragons who are fighting against the current legal system. Back in Los Angeles, Apollo and Athena defend Trucy against prosecutor Nahyuta when she is accused of murdering a performer during her stage show. After reuniting with Maya, Phoenix ends up having to defend Maya from a murder charge. During the case, Phoenix meets one of the Defiant Dragons, Datz Are’bal, who reveals that the group’s leader, Dhurke Sahdmadhi, is Nahyuta’s father and Apollo’s foster father. Meanwhile, Athena is requested to defend a soba shop owner after he is accused of murdering a Rakugo performer, with Simon aiding her during the trial.

Some time later, Apollo is approached by Dhurke, who seeks his help in locating the Founder’s Orb that was stolen from Khura’in. After coming up against Phoenix himself in a court battle over ownership of the orb, Apollo learns that Maya had been taken hostage in order to force Phoenix to try and win the orb for his client. Upon proving Dhurke’s ownership and finding out the secret behind the Founder’s Orb, the group return to Khura’in where Justice Minister Inga Karkhuul Khura’in, husband of the kingdom’s queen, Ga’ran Sigatar Khura’in, has been holding Maya hostage. However, when Dhurke goes in to make the exchange, he is accused of murdering Inga after he is found dead. With Queen Ga’ran herself acting as prosecutor, Phoenix and Apollo are tasked with proving Dhurke innocent of not only Inga’s murder, but also the assassination of Ga’ran’s sister and the previous queen, Amara, 23 years ago, which led to the creation of the Defense Culpability Act. Along with learning that Amara survived the assassination attempt, Apollo discovers the shocking truth that Dhurke had already been killed by Inga a few days earlier, having been channeled by Maya in order to see his foster son one last time. Apollo also discovers that Nahyuta had been blackmailed by Ga’ran in order to protect Rayfa

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, who is revealed to be his sister and Dhurke and Amara’s biological daughter. With the ties of her father’s crime threatening to destroy Rayfa’s life, Apollo uses his final gift from Dhurke, a photo of his deceased biological father, Jove, to conduct a Divination Séance, proving that both Jove and Inga’s murders and Amara’s attempted assassination were caused by Ga’ran. Just as Ga’ran threatens to use her royal authority to execute Apollo and Phoenix on the spot, Apollo manages to prove that, as Ga’ran possesses no spiritual powers of her own, she has no claim to the throne, thus nullifying all the laws she had passed. As Ga’ran’s rule is brought to an end and Rayfa is chosen to succeed her as the next queen, Apollo makes the decision to stay in Khura’in in order to help Nahyuta rebuild the legal system. In a post-credits scene, Phoenix and Lamiroir decide the time has come to tell Apollo and Trucy the truth that they are half-siblings.

An additional storyline set after the game’s events features Phoenix defending a woman who claims she was attacked just after her wedding but traveled back in time and is now accused of the same attack. Meanwhile, Phoenix’s old friend Larry returns, claiming he is the woman’s fiancé. Two additional non-canon episodes were released under the name „Asinine Attorney“: In the first, Pearl must pretend to be Rayfa with Phoenix’s help to stall for time during a hostage situation; in the second, Apollo and Klavier Gavin help Rayfa find her ideal sightseeing destination in America before she must return to Khura’in.

Spirit of Justice was produced by Motohide Eshiro and co-directed by Takeshi Yamazaki and Takuro Fuse; Yamazaki was in charge of the game’s scenario, while Fuse directed the graphics and gameplay and was the game’s art director. The game’s music was composed principally by Noriyuki Iwadare, with additional tracks by Toshihiko Horiyama, who had previously composed the soundtrack for Apollo Justice: Ace Attorney, and series newcomer Masami Onodera. Capcom mentioned the game for the first time in December 2013, at which point they had just begun working „full force“ on a new game in the series and were thinking up ideas for it. When they announced the game for Japan and the West in September 2015, development was 30% finished. By the end of 2015, development was mostly finished, with the team working on polishing and adding finishing touches.

When developing the previous game in the series, Dual Destinies, Yamazaki had been the only director; after finishing its development, he had become exhausted and wanted to quit working on Ace Attorney. Eshiro had encouraged him to continue by taking him to a press conference in Taiwan and to San Diego Comic-Con International to meet the media and fans of the series; following this, Yamazaki felt renewed enthusiasm over the series, and wanted to work on a sixth Ace Attorney. Thinking Yamazaki’s exhaustion stemmed from too much directing responsibility, Eshiro decided to split directing responsibilities between Yamazaki and Fuse; he had at first considered having two equal directors working on the game, but decided against it out of fear that the development team would have difficulty with dealing with contradicting opinions from two directors working on the same aspects of the game.

The implementation of the new divination séance gameplay system was similar to that of the logic chess system in Ace Attorney Investigations 2. It was created to show the events of a crime from the victim’s point of view, and to have that character’s feelings be potentially important evidence. Initially, the developers had considered using ghosts or puppet possession for this, but they were rejected due to being too creepy and „out there“. The divination séance system was tweaked with improved hints in response to feedback from the Spirit of Justice demo at the Tokyo Game Show, where it was seen as being too difficult and taking too long to play. Other gameplay features being affected by fan feedback include the return of features from Dual Destinies that had been well-received, such as the backlog; adjustments to the difficulty, which had been perceived as low in Dual Destinies; and the hint system being possible to turn off. According to Eshiro and Yamazaki, character actions and movements were given a larger focus than in Dual Destinies, with Rayfa’s dancing animation given as an example of this. Returning characters from Dual Destinies were given new 3D models to make sure that the quality was higher and consistent with those of new characters. Like the previous title, Spirit of Justice features fully-voiced anime cutscenes, this time animated by A-1 Pictures, who also produced the Ace Attorney anime series.

Yamazaki led a team of scenario writers, who worked to come up with an overall theme and setting for the game, aiming to come up with ideas that feel new and surprising, but that still build upon previous Ace Attorney games. They did this through brainstorming, where no one was allowed to shoot down others‘ ideas, and also analyzed all previous games in the series to determine what defines the series and what makes it fun. They came up with the theme of „courtroom revolution“; Yamazaki described it as meaning „the oppressed and weak defeating the strong“, saying that it also is a kind of turnabout. After this, they decided on each individual episode’s overall story; Yamazaki decided on the general direction, after which adjustments and additions were done through discussions with other writers. There was one writer in charge of each episode, who each discussed and solidified the ideas for their episode with Yamazaki.

According to Yamazaki, they focused more on the game’s world than in previous games in the series. The decision to do this came from how, throughout the series, Phoenix has been in „a place that lacks enemies“

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, and from difficulties with developing the series further within the Japanese courtroom setting. Based on fan feedback, the development team gave Apollo Justice a larger presence than in Dual Destinies: they felt that Phoenix had been portrayed as the main character in Dual Destinies, with Apollo just being an important part of the plot, so they set Spirit of Justice in two different countries with one equal main character in each location. The character Rayfa was described by Yamazaki and Eshiro as a heroine, but also as an opponent to Phoenix

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; they thought that this approach, as opposed to having the heroine stand by the hero’s side, brought something new and fresh to the series.

The episode plans were reviewed and discussed thoroughly by the team; the discussions took a long time, with the staff often staying in the meeting room until late at night. Each episode’s main writer then wrote their episode; as the writers had different strengths, such as dialogue, mystery or comedy, the episodes were then discussed further, with changes done in response to feedback from the staff on the team. After the scenarios were finalized, visuals, music and sound effects were decided upon.

The game was released in Japan on June 9, 2016, and digitally through the Nintendo eShop in North America and Europe on September 8, 2016. Japanese first print copies of the game include two short non-canon bonus episodes featuring Phoenix and Apollo, along with three downloadable costumes. This content was later released in English markets; the costume set was released alongside the game and was free for the first week, while the first and second bonus episodes were released on September 15, 2016 and September 22, 2016 under the name „Asinine Attorney“, each one packaged with an additional 3DS menu theme. A limited edition containing a drama CD, a plush toy, a tote bag, and a visual poster card book, was also made available in Japan

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. A second costume set, based on Capcom’s Sengoku Basara series, was released in Japan on June 23rd.An additional episode, Turnabout Time Traveller (時を越える逆転?, „Turnabout Across Time“), was released as downloadable content on June 30, 2016 in Japan, and was free to download until July 20, 2016; the episode is scheduled to be released in English on September 29, 2016.

Spirit of Justice received „generally favorable reviews“, according to the review aggregator Metacritic. It was the top selling video game in Japan during its debut week, with 196,831 copies sold. It dropped to second place during its second week, with an additional 25,288 copies sold, to sixth place in its third week, with 11,803 copies sold, and to tenth place in its fourth, with 7,543 copies sold.

Four reviewers at Famitsu, Yoshida, Ashida, Honma and Uchisawa, did a jointly cross-review of the game. Ashida and Honma said that they liked how everything comes together in the game’s ending; Honma also liked seeing how characters such as Maya had grown up and changed, to the point of investigating everything just to see more dialogue. Uchisawa thought that some plot developments were too „out there“, and Ashida noted that the game’s occult feeling might be divisive.

Ashida found the divination séance system to be a fresh addition to the gameplay, but also felt that it was „stretching it“; Uchisawa disagreed, finding the game to not feel fresh, but still thought that the game was fun.

Longxing Temple (Zhengding)

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The Longxing Monastery or Longxing Temple (Chinese: 隆興寺; pinyin: Lóngxīng Sì) is an ancient Buddhist monastery located near the town of Zhengding in Hebei Province, China, approximately 15 kilometers north of the provincial capital of Shijiazhuang

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. It has been referred to as the „First Temple south of Beijing“.

The monastery was first built in 586 AD, during the Sui Dynasty. Its original name was Longcang monastery (Chinese: 龙藏寺; pinyin: Lóngcáng Sì). One of the oldest stelae on the grounds of the monastery, the „Longcangsi Stele“ (Chinese: 龙藏寺碑; pinyin: Lóng Cáng Sì Bēi), dates from the year the monastery’s foundation. Much of it was reconstructed during the Song Dynasty (960-1279 AD).

Following a common pattern, the monastery complex features a central axis along which a sequence of buildings and focal points is arranged. The first building is the Hall of the Heavenly Kings. At the opposite end of the axis is the Main Hall (Chinese: 大悲阁; pinyin: Dàbēi Gé) Runner Waist, a 33-meter-high wooden structure, which houses a bronze statue of Guan Yin. This bronze was built during the early years of the Song Dynasty; its height exceeds 20 meters. Inside the hall, a staircase leads around the statue which allows it to be seen from top to bottom

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.

Other notable artworks of the monastery are a colorful wooden carving of Guanyin sitting in a grotto and statues of Buddha sitting on a lotus throne.

A unique piece of wood architecture from the Song Dynasty in the Longxing Monastery is the Pavilion of the Rotating Library, which was restored in the 20th century. The pavilion houses a rotating bookshelf which was formerly used to store holy texts and Buddhist sutras. This rotating book case archive dates back to the 12th century, and is the oldest existent rotating repository of its kind (refer to the article Technology of the Song Dynasty).

Today, the Longxing Monastery is open to the public as a museum.

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