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Ōmiya Bonsai-Dorf

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Das Ōmiya Bonsai-Dorf (jap. 大宮盆栽村, Ōmiya Bonsai-mura) ist der Name für eine Kooperative von Bonsai-Baumschulen im Stadtbezirk Kita-ku der japanischen Stadt Saitama steak marinade to tenderize. Der Zusammenschluss der Bonsai-Baumschulen war ebenfalls namensgebend für die dortige offizielle Ortsbezeichnung (Bonsai-chō (jap. 盆栽町)) und gilt als geschützte Herkunftsbezeichnung für Bonsaibäume aus Ōmiya.

Die Gründung des Dorfes geht zurück auf das große Kantō-Erdbeben von 1923. Ausgelöst durch die verheerenden Schäden im Zentrum Tokios, sahen sich viele Bonsai-Baumschulen und Gärtner gezwungen nach einem alternativen Standort zu suchen

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. Fündig wurden sie in der Nähe der Stadtgrenze von Ōmiya. Das Land bot eine bewaldete Fläche, ausreichend frisches Wasser und hochwertige Erde. Nachdem das Land erworben war, begann sie mit der Planung eines neues Ortes, angelehnt an einer modernen Infrastruktur, wie es sie in Tokio gab. Die ersten Bewohner, hauptsächlich Bonsai-Händler und -Enthusiasten what is a meat tenderizer and what does it do, bezogen das neue Gebiet im Jahr 1925. Darauffolgend wurde 1928 eine Kooperative gegründet, in der sich die Mitglieder gegenseitig unterstützen, sich aber auch einem gemeinsamen Regelwerk verpflichteten.

Im November 1940 fusionierte Ōmiya mit den benachbarten Dörfern Mihashi, Ōsato, Miyahara und Nisshin und wurde so zum Stadtstatus erhoben. Das Gebiet, in dem sich die Baumschulen ansiedelten, wurde zunächst umgangssprachlich als „Bonsai-Dorf“ bezeichnet, bevor es ab 1942 auch offiziell diese Bezeichnung erhielt glass bottles wholesale. 2003 wurde im Zuge der erneuten Zusammenlegung mehrerer Städte zur Präfekturhauptstadt Saitama, der Ort Bonsai-chō formal in den Stadtbezirk Kita-ku überführt (埼玉市北区盆栽町).

Seit dem Jahr 2008 gelten die Bonsai-Baumschulen in Ōmiya offiziell als Traditionshandwerk der Stadt Saitama. 2010 wurde das Ōmiya Bonsai Art Museum eröffnet. Es ist das weltweit erste öffentlich geführte Museum für Bonsai-Kunst. Das Museum verfügt über eine Sammlung von mehr als 120 Bonsaibäumen und Bonsai-Artefakten.

Die einst prosperierende Vereinigung der Bonsai-Baumschulen in Ōmiya, die in ihren Hochzeiten bis zu 30 Baumschulen umfasste, zählte im Jahr 2017 nur noch 6 Baumschulen. Als Gründe werden unter anderem die hohen Immobilienpreise und die anfallenden Erbschaftssteuern der Familienbetriebe angeführt.

Koordinaten:

Johann Baptist Heinrich (Priester)

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Johann Baptist Heinrich (* 15. April 1816 in Mainz; † 9. Februar 1891 ebenda) war ein deutscher katholischer Priester aus dem Bistum Mainz, Professor der Dogmatik, Domkapitular, Domdekan und ab 1869 Mainzer Generalvikar; außerdem ein bekannter katholischer Schriftsteller und Publizist der Kulturkampfzeit.

Heinrich wurde 1816 in Mainz als Sohn seines gleichnamigen Vaters und Bürgermeisters geboren (siehe Johann Baptist Heinrich (Politiker)). Nach seiner Gymnasialzeit in Mainz, studierte er in Gießen von 1834 bis 1837 Jura, wurde am 27. Dezember 1837 Doktor beider Rechte und begann die juristische Laufbahn als Untersekretär am Obergericht in Mainz. 1840 habilitierte er sich als Privatdozent an der juristischen Fakultät in Gießen, hielt als solcher Vorlesungen z.B. über Rechtsphilosophie, Kirchenrecht, französisches Zivilrecht, deutschen Zivilprozess und wurde ein beliebter Lehrer boys football uniform.

1842 legte Johann Baptist Heinrich diese Stellung nieder, nachdem er die Berufung zum geistlichen Stand in sich verspürte. Er studierte nun in Tübingen und in Freiburg Theologie, trat im Frühjahr 1844 in das bischöfliche Seminar zu Mainz ein und empfing dort am 15. Februar 1845 die Priesterweihe. Kurz darauf wurde er Domkaplan, 1850 Dompräbendar, 1851 Professor der Dogmatik an der wiedereröffneten philosophisch-theologischen Lehranstalt, 1855 Domkapitular und Bischöflicher Geistlicher Rat, am 30. Januar 1867 Domdekan und am 16. November 1869 Generalvikar. Neben diesen Würden behielt er seine Lehrtätigkeit bei und nahm dieselbe wieder auf, als das in der Kulturkampfzeit 1877 geschlossene Seminar, 1887 unter Bischof Haffner wieder eröffnet wurde. Am 1. August 1882 promovierte ihn die theologische Fakultät von Würzburg zum Doktor der Theologie. Am 16. April 1886 avancierte er zum Päpstlichen Hausprälaten. Während der langen Zeit seiner Wirksamkeit in Mainz unter den drei Bischöfen Peter Leopold Kaiser, Wilhelm Emmanuel von Ketteler und Paul Leopold Haffner nahm Heinrich hervorragenden Anteil an den Bestrebungen, welche die Wiederbelebung des religiösen Geistes in der Stadt und Diözese zum Zweck hatten. Im Jahre 1848 hatte er tätigen Anteil an der Gründung des Piusvereins und an der Organisation des 1. Deutschen Katholikentages in Mainz. Johann Baptist Heinrich ist bekannt als neuscholastischer Theologe. Von 1850 bis 1890 redigierte er mit Christoph Moufang die Mainzer Zeitschrift „Der Katholik“, war Mitbegründer und Förderer der Görres-Gesellschaft (1874/75) und hat das damalige geistig-religiöse Leben des katholischen Deutschlands entscheidend mit-geformt. Er hatte bedeutenden Anteil an der Bekehrung des Kommunisten Philipp Wasserburg (alias „Philipp Laicus“ ) zum katholischen Politiker und Schriftsteller.

Andreas Niedermayer bedenkt Johann Baptist Heinrich wegen seiner permanenten, aktiven Teilnahme an den damaligen Katholikentagen mit großem Lob und konstatiert 1865 in seinem Buch „Mecheln und Würzburg, Skizzen und Bilder von den Katholikenversammlungen in Belgien und Deutschland“, in dem er viele namhafte Katholiken aus der Mitte des 19. Jahrhunderts beschreibt:

Man kann Dr. Moufang nicht nennen, ohne auch an Domcapitular Heinrich zu denken. Beide bilden ein ‚par nobile fratrum‘, sowohl in der Literatur, wie vordem das Freundespaar Räß und Weis, als auch im öffentlichen Leben des katholischen Deutschlands, wie die Dioscuren August und Peter Reichensperger in der preußischen Kammer. Dr. Heinrich wohnte 1848 als Secretär der 1. bischöflichen Versammlung in Würzburg bei — er war damals etwas über 30 Jahre alt — und hatte sich ein paar Wochen früher bei der Mainzer ersten Generalversammlung um die Organisation des Vereines wesentliche Verdienste erworben. Seitdem besuchte er ’summa cum laude‘ fast alle Versammlungen, war deren thätiges, anregendes Mitglied und förderte durch seine Begeisterung die meisten katholischen Unternehmungen, die bis heute in’s Werk gesetzt wurden. Seine Thätigkeit ist gleich hervorragend in den Ausschußsitzungen, in den geschlossenen wie in den öffentlichen Versammlungen; Heinrich ist nicht bloß ein beliebter Congreßredner, sondern auch ein gewandter Publicist und Polemiker water proof phone, hat als Apologet die beste deutsche Schrift gegen Renan geschrieben, und nimmt als Dogmatiker und Jurist in der deutschen Wissenschaft einen Standpunkt ein, den er gegen jeden seiner Gegner zu vertheidigen weiß.

1878 bis 1887 vertrat er das Bistum Mainz als Abgeordneter in der Ersten Kammer der Landstände des Großherzogtums Hessen.

Heinrichs Hauptwerk ist die „Dogmatische Theologie“, die er von 1873 bis zu seinem Tode bis zum 7. Bande fortführte, aber unvollendet hinterließ. Sie wurde von Konstantin Gutberlet fortgeführt, der den 7. Band vollendete (Mainz 1896) und den 8. bis 10. (Schluß-)Band folgen ließ (Mainz 1897, 1901; Münster i. W. 1902

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, 1914). Als Hauptvorzug des Werkes, das in seinen Untersuchungen hauptsächlich der Führung des hl. Thomas von Aquin folgt, wird die „Klarheit und Durchsichtigkeit der Darstellung, die lichtvolle Erörterung schwieriger Materien und die aller Phrasen bare, schöne und fließende Sprache“ hervorgehoben (Brück). Die sechs ersten Bände erschienen auch in 2. Auflage, 1881–1900. Noch kurz vor seinem Tode dachte Heinrich daran, ein kürzeres dogmatisches Kompendium auf Grund seiner Vorlesungen zu bearbeiten; der Plan wurde von Philipp Huppert ausgeführt: „Lehrbuch der katholischen Dogmatik“,von J. B. Heinrich. Bearbeitet und herausgegeben von Ph. Huppert (1. u. 2. Halbband, Mainz 1898–1900).

Von den sonstigen Werken Heinrichs sind bedeutend:

Carl Joseph von Wreden (1820–1827(–1829)) | Joseph Vitus Burg (1830–1833) | Johann Jakob Humann (1833–1834) | Peter Leopold Kaiser (1834–1848) | Leopold Schmid (1849) | Wilhelm Emmanuel von Ketteler (1851–1856(–1877)) | Johann Baptist Lüft (1857–1862) | Christoph Moufang (1862–1877) | Johann Baptist Heinrich (Priester) (1878–1887) | Paul Leopold Haffner (1887–1899) | Heinrich Brück (Bischof) (1900–1903) | Friedrich Elz (1903) | Georg Heinrich Maria Kirstein (1904–1906) | Ludwig Bendix (1907–1918)

Bon père de famille

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Consultez la liste des tâches à accomplir en page de discussion.

La notion de bon père de famille (ou bonus pater familias selon un latinisme d’usage courant dans les milieux juridiques) est un concept de droit civil. Il s’agit du comportement qu’aurait un individu abstrait dans une situation donnée, servant de norme générale pour mesurer l’adéquation de la conduite d’un individu concret placé dans la même situation afin de déterminer l’existence ou la mesure d’une éventuelle faute.

Normalement prudent et diligent bike water bottle, attentif, soucieux des biens et/ou des intérêts qui lui sont confiés comme s’il s’agissait des siens propres, le bon père de famille est utilisé par les juristes comme mètre étalon pour définir, dans un contexte donné, la norme comportementale en se rapportant à un individu de référence.

Lorsque le comportement d’une personne s’est écarté de cette norme, il y a faute qui peut être simple ou lourde selon la gravité du comportement ou le degré de déviation par rapport à la norme. Cependant, même si les conséquences peuvent être différentes, la faute la plus légère impliquera la responsabilité civile de son auteur si elle a causé un dommage.

En 1982 en France, la loi Quilliot sur les droits et les devoirs des bailleurs et locataires () substitue à l’obligation « de jouir des locaux en bon père de famille » celle d’en jouir « paisiblement ».

En janvier 2014, l’Assemblée nationale française a adopté un amendement supprimant cette expression du droit français pour la remplacer par les termes « raisonnable » ou « raisonnablement » best water bottles for travel. Cette suppression est confirmée dans la loi du 4 août 2014 relative à l’égalité hommes-femmes.

Sur les autres projets Wikimedia :

Edward Mayne

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The Hon. Edward Mayne (August 1756 – 7 May 1829) was Judge of the Court of Common Pleas of Ireland (1805–1816) and afterwards Judge of The Court of the King’s Bench (1816–1818).

Edward Mayne was baptised 30 August 1756. He was the eldest son of Charles Mayne (1727–1777) of , County Cavan and his wife (and cousin) Dorothea Mayne, daughter of Edward Mayne of , Co. Fermanagh. His father, son of Robert Mayne (1679–1753) of Mount Sedborough, County Monaghan (granted to his ancestor, John Sedborough (d.1629), in 1614), built Freame Mount in 1772. The house looked over the Dartrey estate, owned by Edward’s father’s cousin and benefactor, Thomas Dawson, 1st Viscount Cremorne (1725–1813). It was named for Lord Cremorne’s new wife, Philadelphia Hannah Freame, granddaughter of William Penn of the Province of Pennsylvania.

Mayne entered Trinity College Dublin in 1772. He was elected a scholar in 1775 and graduated B.A. (1777). His father died in the same year that he graduated, and as the eldest son he inherited Freame Mount. Rather than abandon his plans of a career in law, Mayne passed the responsibility of running the estate to his younger brother, William, providing him with legal advice when needed. William Mayne went on to serve as a Justice of the Peace and High Sheriff of Co. Monaghan toffs football shirts. In 1779, Edward Mayne went to London coffee thermos stainless steel, entering Middle Temple, and was called to the Irish Bar in 1781. After a lengthy and successful career as a barrister in Dublin, in 1805 he was appointed a Judge of Court of Common Pleas (Ireland). In 1816, he was appointed Judge of the Court of King’s Bench (Ireland) at Four Courts but he resigned two years later due to ill health.

He was, according to John Edward Walsh, „a serious, solemn man and a rigid moralist“, and was strongly opposed to duelling. One description of him referred to him as being of the „sapient, soft and melancholy strain“, but records show he had a reputation for severity. A list of the sentences he passed in 1815 (kept at the Old Court House, Downpatrick Museum) include a number of death sentences—one for stealing a horse. An anecdote survives of someone inquiring of his Christian name, which was met with the reply, „I cannot tell what it is, but I know what it is not, it is not Hugh“.

In 1780, he married Sarah Fiddes (1765–1853), daughter of John Fiddes, Attorney of Dublin, by his wife Catherine Walsh of Lislea, Co. Monaghan. They were the parents of thirteen children, twelve of whom reached adulthood. The best known of their children was Sir Richard Mayne, the first joint Commissioner of Police of the Metropolis. Edward and Sarah Mayne were the grandparents of Richard Charles Mayne and John Dawson Mayne.

2-modulusdeler

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Indenfor den digitale elektronik bruges betegnelsen modulus om en delers deletal, det vil sige det antal pulser der skal til for at udgangen gennemløber en periode.

En 2-modulsdeler kan sættes til 2 forskellige deletal, alt efter om styreterminalen er høj eller lav. Den sidder i forbindelse med programmerbare delere og giver sammen med dem muligheden for at kunne skabe en deler med et vilkårligt deletal, ofte brugt i frekvenssynteser, hvor en enkelt krystaloscillator via et faselåst kredsløb giver mulighed for at skifte mellem alle radiokanaler i et vist frekvensbånd.

De 2 modulus bestemmes af kanalafstanden, referencefrekvensen og resten af delerens konstruktion, og kan f.eks tenderise steak recipe. være 10 og 11 (en 10/11-deler) eller 40 og 41.

En frekvenssyntese producerer en variabel output frekvens, fo, dannet via det faselåste kredsløbs referencefrekvens, fr og hvor det variable heltal (deletal) N er deletallet for en tæller:






f



o




=


N







f



r






{\displaystyle f_{o}=N*f_{r}}


Hvis man ønsker at lave f how do i tenderize meat.eks. fo=150,025MHz og fr=25kHz skal:





N


=





f



o





f



r






=


6001




{\displaystyle N={\frac {f_{o}}{f_{r}}}=6001}


Men har man anvendt en fast fordeler (eng. prescaler) på f.eks. 16, skal N=6001/16=375,0625 hvilket ikke er et heltal.

Én løsning er at sænke fr sænkes til 25kHz/16 for at alle nye N kan blive heltallige. Der er en stor ulempe ved at sænke fr til så lav en frekvens og det er at det faselåste kredsløb så bliver længere tid om at låse.

Løsningen er at anvende en 2-modulusdeler og to delere kaldet A og N – i stedet for den ene N.

Deler A skal være strengt mindre end A end deler N. Begge delere bliver clocket af 2-modulusdelerens output, men kun deler N’s output sendes tilbage til fasekomparatoren.

Løkke:

Formler:











f



o




=



f



r





[



M


(


N






A


)


+


(


M


+


1


)


A



]














f



o




=



f



r





(


M


N


+


A


)









{\displaystyle {\begin{aligned}&f_{o}=f_{r}\left[{M(N-A)+(M+1)A}\right]\\\Rightarrow &f_{o}=f_{r}\left(MN+A\right)\end{aligned}}}


Så mens vi stadig har en faktor M som multipliceres med N, kan vi yderligere lægge en tælling på A til, hvilket giver en deler med en brøkdel. Kun 2-modulusdeleren behøver at blive konstrueret af højhastighedslogik, og referencefrekvensen kan blive på den ønskede output-frekvensafstand.

A og N kan beregnes med følgende formler:









N





=








V


M












A





=


V






M


N








{\displaystyle {\begin{aligned}N&=\left\lfloor {\frac {V}{M}}\right\rfloor \\A&=V-MN\end{aligned}}}


Энсина, Хуан дельadmin, · Kategorien: Allgemein · Schlagwörter: ,

(1468-07-12)

1533

поэт, драматург, композитор, писатель

Хуáн дель Энси́на (исп. Juan del Encina, урожд. Хуан дель Фермоселье; 12 июля 1468, Фермоселье — 1529, Леон) — испанский поэт, драматург и композитор, часто называемый «отцом испанской драмы».

Хуан дель Фермолесье родился в семье сапожника и был одним из минимум семерых детей. Приблизительно в 1492 году он окончил Университет Саламанки и тогда же стал членом свиты дона Фадрике де Толедо, второго герцога Альбы (по другим источникам, он стал работать на него только в 1495 году), развлекая своего покровителя поэмами и драмами, первой известной из которых стала Triunfo de la fama, написанная в ознаменование падения Гранады. Работал же Энсина в начале 1490-х годов капелланом в кафедральном соборе Саламанки и именно здесь сменил своё имя на Энсина. Вскоре он был вынужден уйти с церковной службы cell phone bag, так как не был рукоположен в сан священника.

В 1496 году он издал своё собрание песен и стихотворений, драматических и лирических стихов. Продолжал работать для Альбы; тематикой его произведений чаще всего становились пасторальные мотивы и безответная любовь. Через несколько лет он посетил Рим в поисках продвижения по службе. Там, вероятно, работал в музыкальных учреждениях ряда дворян и кардиналов, пока не привлёк внимание папы Александра VI своими способностями к музыке, получив назначение хормейстером. Приблизительно в 1518 году Энсина совершил паломничество в Иерусалим, где отслужил свою первую мессу. В 1509 году он получил должность каноника в Малаге; в 1519 году он был назначен приором Леона, где и умер в 1529, 1530 или 1533 году.

63 пьесы Энсины различных светских жанров (вильянсико, романс, кансона, вариации на фолию) вошли в знаменитый Дворцовый песенник (Cancionero de Palacio).

Patria

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Patria est un groupe d’aéronautique et de défense international détenu par l’État finlandais (50,1 %) et Kongsberg Gruppen (49,9 %). Patria est créé en 1997 à partir d’anciennes compagnies.

En décembre 2014, Airbus Group, qui possedait 26,8 % du groupe reusable water bottle brands, annonce la vente de sa participation dans Patria à l’État finlandais.

En mars 2016 thermos metal water bottle, le groupe norvégien Kongsberg annonce le rachat de 49,9 % de Patria.

L’entreprise fabrique, en autre, plusieurs types de véhicules blindée à roues pouvant servir en autre de véhicule de combat d’infanterie et de véhicule de transport de troupes dont le Patria AMV ainsi que des pièces d’artillerie dont le 155 K 98 (en).

Patria est un des principaux sous-traitants collaborant avec Airbus dans la réalisation de l’Airbus A380, plus gros avion de transport de passagers au monde. Patria réalise la conception et la fabrication des 8 spoilers en matériaux composites situés sur chacune des ailes de l’appareil.

Spécialisée dans les structures en matériaux composites, Patria collabore également à d’autres programmes aéronautiques comme l’avion de transport militaire Airbus A400M ou l’hélicoptère NH90.

Steffi Duna

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Steffi Duna (8 February 1910 – 22 April 1992) was a Hungarian-born film actress.

Born Berindey Erzsébet in the Eastern name order in Budapest of Czech extraction and nicknamed Stefi (Stefánia) by her friends and family, Duna started dancing at the age of nine and first attracted attention as a thirteen-year-old ballet dancer in Europe. Duna made her first stage appearance performing dramatized fairy tales at the Children’s Theater of Budapest. Initially opposed to the idea, her father sent her to the best schools in the Hungarian capital to learn dancing and soon she had danced in most of the capitals of Europe. In 1932 stainless steel bottle manufacturers, she appeared on the London stage in the revue Words and Music by Noël Coward, being one of the four actresses to create the song „Mad about the Boy“.

When she first came to Hollywood in 1932, Duna could not speak a word of English. She made up her mind to learn quickly. Directors advised her to stay away from her Hungarian friends to speed up her learning of English the best way to tenderize a steak. Within a few years she could speak six different languages. During the 1930s Duna played a variety of nationalities. However, despite her European background, she was often cast as fiery Latin femmes fatales in films that made full use of her exotic and glamorous persona, such as La Cucaracha (1934), the first live-action short film made in three-strip Technicolor.

She made her film debut in The Indiscretions of Eve (1932) in the starring role (along with Jessica Tandy, also making her debut). Signed by RKO Radio Pictures, Duna played „Guninana“, the Eskimo wife of Francis Lederer, in Man of Two Worlds (1934).

Lederer had performed with Duna in the Berlin, Germany presentation of Die Wunderbar. In 1936, she played the part of Nedda in the British film version of Pagliacci, starring Richard Tauber. Films in which she played lead roles, such as Panama Lady (1939) with Lucille Ball, were popular but did not make her a major star. Her best remembered films include Anthony Adverse (1936) and Waterloo Bridge (1940).

Duna was married first to the actor John Carroll; the marriage produced one child, a daughter. They divorced in 1938. In 1940 she married actor Dennis O’Keefe; they remained together until his death.

Duna retired from films in 1940, and died in Beverly Hills, California, in 1992, aged 82.

Greenfield, Iowa

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Greenfield is a city and county seat of Adair County, United States. As of the 2010 census, the city population was 1,982.

The area around Greenfield was settled in 1854. The plan for the town of Greenfield was created in 1856 when the land was purchased by Milton C. Munger. Munger is responsible for the design of Greenfield’s unique Lancaster-style town square, and the city park located at Grant and NE Second Street was also included in the original plat. Greenfield is named from Greenfield, Massachusetts. Greenfield became the county seat in 1875, after battling out nearby Fontanelle for the title. The city was incorporated on May 22 meat tenderiser ingredients, 1876.

Greenfield is home to four entries on the National Register of Historic Places, the E. E. Warren Opera House listed in 1970; the Adair County Courthouse listed in 1981; the Adair County Democrat/Adair County Free Press bldg, listed 2012; and Hotel Greenfield, listed 2012.

Greenfield is located at (41.305491, -94.458726). According to the United States Census Bureau, the city has a total area of 1.81 square miles (4.69 km2), all of it land.

As of the census of 2010, there were 1,982 people, 894 households, and 537 families residing in the city. The population density was 1,095.0 inhabitants per square mile (422.8/km2). There were 1,000 housing units at an average density of 552.5 per square mile (213.3/km2). The racial makeup of the city was 98.0% White, 0.2% African American, 0.1% Native American, 0.4% Asian, 0.8% from other races, and 0.7% from two or more races. Hispanic or Latino of any race were 2.2% of the population.

There were 894 households of which 25.8% had children under the age of 18 living with them, 48.2% were married couples living together, 8.5% had a female householder with no husband present, 3.4% had a male householder with no wife present, and 39.9% were non-families. 35.8% of all households were made up of individuals and 18.4% had someone living alone who was 65 years of age or older. The average household size was 2.18 and the average family size was 2.81.

The median age in the city was 45.2 years. 22.4% of residents were under the age of 18; 6.8% were between the ages of 18 and 24; 20.6% were from 25 to 44; 26.3% were from 45 to 64; and 24% were 65 years of age or older. The gender makeup of the city was 47.8% male and 52.2% female.

As of the census of 2000, there were 2,129 people, 937 households, and 580 families residing in the city. The population density was 1,172.6 people per square mile (451.7/km²). There were 999 housing units at an average density of 550.2 per square mile (211.9/km²). The racial makeup of the city was 99.20% White, 0.05% African American, 0.38% Asian, 0.19% from other races, and 0.19% from two or more races. Hispanic or Latino of any race were 0.42% of the population.

There were 937 households out of which 26.8% had children under the age of 18 living with them, 52.1% were married couples living together, 6.9% had a female householder with no husband present, and 38.0% were non-families. 34.2% of all households were made up of individuals and 19.9% had someone living alone who was 65 years of age or older. The average household size was 2.20 and the average family size was 2.82.

Age spread: 22.6% under the age of 18, 6.5% from 18 to 24, 24.5% from 25 to 44, 20.4% from 45 to 64, and 26.0% who were 65 years of age or older. The median age was 42 years. For every 100 females there were 85.3 males. For every 100 females age 18 and over, there were 84.0 males.

The median income for a household in the city was $33,869, and the median income for a family was $42 slim waist pack,872. Males had a median income of $29,792 versus $22,091 for females. The per capita income for the city was $19,444. About 7.7% of families and 10.6% of the population were below the poverty line, including 17.0% of those under age 18 and 9.2% of those age 65 or over.

In 1995, Greenfield became affiliated with the Main Street Iowa program, to rejuvenate the downtown area. The Main Street Approach was developed by the National Trust for Historic Preservation’s National Main Street Center with the goal of economic development within the context of historic preservation. Every year Main Street Iowa awards the member communities for their efforts. Greenfield has won awards every year since it became a Main Street town.

Greenfield’s unique Courthouse, built in Romanesque style and listed on the National Register of Historic Places in 1981, was constructed in 1891 after the original was destroyed in a fire. The Courthouse was designed by S.E. Maxon. The country’s wars have taken their toll on artifacts surrounding the structure. A gazebo on the south lawn was burned during a World War I victory celebration and cannons that once decorated both entrances were melted down during a World War II scrap iron drive.

The E.E. Warren Opera House was constructed on the site of the old courthouse in 1896. The three story structure was built by E. E. Warren and his wife, Eva. Eva. Edward Earnest Warren was born in New London, Iowa on March 31, 1862. In 1884 reusable juice bottles, Edward married Eva Mary Viers from Fontanelle, Iowa. Eva was born in Washington, Iowa in 1863. The Warrens built their new store and opera house in 1896, in company with John J. Hetherington. Mr Hetherington was born in Pennsylvania in 1842. The idea of a building containing both a store and opera house was first announced in Greenfield in 1895. The building site was formerly occupied by the original courthouse which had burned down. The building’s store conducted its Grand Opening on December 1, 1896. The storefront windows had been curtained until the opening ceremony. At 7:30pm the curtains were raised and the crowd rushed the door, breaking it from the force. A string quintet provided live music for visitors. Upstairs the Opera House was awaiting its chairs. Mr Warren finally had his own store building. In 1913, the business became titled „Warren Dry Goods Company“. Eva worked as the company’s bookkeeper. Mr Hetherington was simultaneously building his new store alongside the EE Warren Opera House.

In the early years, the Opera House hosted traveling theatrical troupes, medicine shows, musical productions and local theatre. Though the upper floors declined in usage, the ground floor was used as retail space until 1990. The Opera House was listed on the National Register of Historic Places in 1979.

In 1996, the EE Warren Opera House Association was formed to save and restore the building and its integrity. The association has made numerous structural and aesthetic improvements to the interior and exterior of the building. The association recently acquired the adjacent Hetherington Building and Taylor Building. The mission of the association is to create a cultural center which will promote all forms of the arts. There will be retail and dining space to enhance the visitor’s experience and the facility aims to support live theatre performances, concerts, art exhibits and many more entertaining events. The completed renovation will be known as The Warren Cultural Center, with grand opening in May 2012. Upcoming events can be followed online at

Hotel Greenfield, operated by ADCO Enterprises, LC, dates to 1920, the city’s fourth hotel and the third at 110 East Iowa Street, proceeded at this site by The Wilson Hotel and later the Commercial Hotel. It is the largest commercial building in the central business district. Many early hotel patrons traveled to town by the C, B & Q freight-passenger train and were shuttled from the south Greenfield depot. Others arrived by automobile via Iowa’s developing highway system.

Despite the shadow of the Great War (WW I) local boosters were yet able to capitalize a 32-room state-of-the-art lodge at a cost of $65,000. Regional architect William Gordon designed the Classical Revival (Commercial) style building, to be constructed starting in 1919. It was completed and furnished by 1920. A gala Grand Opening was featured June 3, 1920 with William Don Carlos and George Musmaker toastmasters of the evening.

The original “Greenfield Hotel Company” of April 8, 1919, was founded by local business owners and town boosters as a community improvement project, more than as a profit-making enterprise, as such. The company, an Iowa corporation, owned the hotel until July 12, 1951. Lawyer George Musmaker, president, and banker Jay Howe, secretary-treasurer, were two of the company’s primary leaders during those first 32 years. Individuals and families owned and operated the business after that.

A food service establishment has been featured as a major element of the hotel’s operation. The lodging element was dated and dwindling in significance by the 1970s. When ADCO Enterprises, LC purchased the hotel property in March 2010, the Old Hotel Restaurant & Lounge nka Olive Branch Restaurant (John Galanakis and family) was flourishing on the first floor space. It now continues to be associated with Hotel Greenfield but is relocated into the former Adair County Free Press building, joined to the west of the original hotel. It was acquired in 2010 in order to secure additional hotel development space. Two hotel suites are located on its second floor, along with laundry and housekeeping facilities.

The Free press building is 19th-century Commercial in style, with Romanesque features on its façade. It was erected in 1903 by Edwin J. Sidey and his father John S. Sidey, founders of the Adair County Democrat in 1889, later the Adair County Free Press. Edwin’s son Kenneth (1895–1976) and grandson Edwin J. Sidey (1925–2008) succeeded as publishers and editors. Well-known White House reporter forTime/Life and author Hugh Sidey (1927–2005), brother of Edwin J., was also closely associated over time with the family’s journalism and photojournalism legacies. Publisher/Editor Linda E. Sidey, widow of Edwin J., relocated the newspaper business and its associated photo gallery to 141 Public Square in December 2010.

ADCO Enterprises, LC is owned primarily by Adair County area investors. It was founded with the support of the Community Development Corporation of Greenfield. Architect Dan Tindall of Grinnell was employed as redevelopment project manager. Tindall is also co-owner of the award-winning vintage Blackhawk Hotel at Cedar Falls, Iowa.

The Freedom Rock is a large boulder that marks the entrance to an old rock quarry. Beginning in 1999, Ray „Bubba“ Sorensen II has painted the rock every Memorial Day with different patriotic images and sayings in support of the United States military. There are also several murals throughout Adair County featuring Bubba’s patriotic artwork.

The Iowa Aviation Museum celebrates Iowa’s aviation heritage from the state’s first recorded flight in 1910 to its native sons and daughters exploring the universe.

Established in 1986, the Adair County Heritage Museum is a five-acre complex dedicated to preserving and display- in the history of Adair County for the benefit and enlightenment of future generations. Located on the west edge of Greenfield, it is operated by the .

Dennis Schildberg, a local car collector, needed a location to house his extensive collection of antique cars. After remodeling an old Ford dealership building, he was able to house his cars and display them for the public to enjoy. He started collecting cars with his wife Marlene in the early 1960s, and since then they have collected over 15 antique vehicles. All the vehicles are in running condition except a 1936 Chevy.

In 1982, Dennis started restoring the cars. The Schildbergs involve their cars in parades and car shows. Although Dennis Schildberg died in 1992, his collection is still available to the public. The museum is open by appointment and for special local events.

The Ken Sidey Nature Area is located 2 1/2 miles southwest of Greenfield at 2521 Lewis Avenue. There are 107 acres of timberland and 3 miles of walking trails. Ken Sidey Nature Area is owned by the Adair County Conservation Board.

Greenfield’s school district was combined with the Bridgewater-Fontanelle school district in 2000, to form Nodaway Valley Community School District. The district’s only high school, Nodaway Valley High School, and one of the district’s two elementary schools, Nodaway Valley East Elementary meat tenderizer utensil, are in Greenfield.

Greenfield was the primary location for the filming of the 1971 satirical comedy film Cold Turkey, produced by Norman Lear, starring Dick Van Dyke. The movie involved a town that accepted a challenge to quit smoking for 30 days. Greenfield also rose to the challenge and went „Cold Turkey“ with 166 of its citizens signing Stop Smoking pledges. In 1999, a „Cold Turkey“ reunion was held with Lear and several original cast members in attendance. Greenfield and surrounding communities renewed anti-smoking pledges. Portions of the 2009 thriller Peacock were filmed in Greenfield and other towns in Adair County.

Kūh-e Khowreh Tāb (berg i Kermanshah, lat 34,27, long 46,94)

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Kūh-e Khowreh Tāb (persiska: کوه خوره تاب, Kūh-e Khūreh Tāb) är ett berg i Iran. Det ligger i provinsen Kermanshah, i den västra delen av landet, 400 km väster om huvudstaden Teheran. Toppen på Kūh-e Khowreh Tāb är 1 830 meter över havet, eller 119 meter över den omgivande terrängen. Bredden vid basen är 5,0 km.

Terrängen runt Kūh-e Khowreh Tāb är kuperad åt nordost, men åt sydväst är den platt olet toothpaste dispenser. Den högsta punkten i närheten är Kūh-e Sefīd, 2 218 meter över havet bottle for water, 19 should i tenderize my steak,8 km öster om Kūh-e Khowreh Tāb big water bottles. Runt Kūh-e Khowreh Tāb är det ganska tätbefolkat, med 185 invånare per kvadratkilometer. Närmaste större samhälle är Kermānshāh, 12,7 km öster om Kūh-e Khowreh Tāb. Omgivningarna runt Kūh-e Khowreh Tāb är i huvudsak ett öppet busklandskap. I trakten runt Kūh-e Khowreh Tāb finns ovanligt många namngivna vattenkällor.

Årsmedeltemperaturen i trakten är 18 °C. Den varmaste månaden är juli, då medeltemperaturen är 32 °C, och den kallaste är januari, med 2 °C. Genomsnittlig årsnederbörd är 456 millimeter. Den regnigaste månaden är november, med i genomsnitt 96 mm nederbörd, och den torraste är juni, med 1 mm nederbörd.

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